Dana Bechert is a full time ceramic artist living in Lancaster County, Pennsylvania. Dana was raised on the Connecticut shoreline by two artisan parents. Growing up Dana was introduced to various trades and skill sets, including pottery. Dana attended the Maryland Institute College of Art (MICA) in Baltimore Maryland. Upon graduating with a degree in Interdisciplinary Sculpture in 2012, Dana started her eponymous ceramics studio and has been working as a full time potter ever since. In addition to pottery, Dana spends lots of time working in her large vegetable garden and putting her pots to use in a variety of cooking disciplines.

Gadsden, Alabama is Parker Hunt's home town. At age 11 Parker and his family moved to Havelock, North Carolina when his step-dad received orders to Cherry Point. At the time that was a pretty drastic change for Parker. Until Parker's mom remarried, his grandfather had the most impact in Parker's life. So leaving behind the Sunday evenings fishing off the peer and then to "The Chief" for banana splits with his grandfather was hard.

Nick Kesler is a 32 year old man who has a beautiful wife, Laura and 10 year old son, Rhett. Nick loves to build things like decks and houses, but most of all Nick likes to throw pots in his patio studio in Lakewood, WA.

Michael Rice is an Irish Artist who specializes in Ceramics. He is particularly interested in firing procedures such as Raku, Smoke and Saggar firing; his work is also is concerned with geometry, gestalt principals and archetypal forms.

Frank Nemick's work flows from his subconscious. Frank explores his psyche’s despair and hope. Frank tries to explore humanity's despair and hope. By using abstraction and irony to convey these basic human feelings, Frank tries to show our fragility and our strength. And our folly.

Frank is influenced by his past career as a firefighter. Seeing suffering and loss daily, despair is often a foregone conclusion. Observing people cope, leads to hopefulness. A background in philosophy helps to inform Frank's work with hope in the face of despair, and of the angst of being human.

Frank tries to offset despair with hope, and beauty. To bring some respite to the human condition. 

It is Frank's way of coping.

Courtney has been a studio potter in Missoula, MT for the past four years. She first moved to Montana in 2009 as a resident artist at the Archie Bray Foundation. Afterwards she moved to Missoula as a resident at The Clay Studio of Missoula and decided to stay. Courtney studied Ceramics at the Oregon College of Art and Craft. Her designs are influenced by simplified abstractions of nature, folk art, mid-century modern forms and shapes, as well as patterns and textiles. She is compelled by the variation found in handmade objects and likes the personal connection that they help to create as they leave her studio to become part of somebody’s daily routine.

Brad Miller is an artist currently working out of his studio in Venice, CA. Brad received his MFA from the University of Oregon in 1977. From 1980 thru 1992 Brad worked at the Anderson Ranch Arts Center in Snowmass Village, Colorado. He served as Executive Director at the Ranch from 1984 thru 1992. Since 1992 Brad has focused on his studio practice. Brad's work is in numerous museums collections including the Los Angeles County Museum of Art, The Denver Art Museum, The Brooklyn Museum and The Renwick Gallery.

Betsy Williams is a studio potter living at 7500 feet above sea level in northern New Mexico. Her work highlights user friendly shapes and quiet yet compelling decoration.

Marina Temkin is a potter in Washington, D.C. She got into making pottery on a whim, when she took a class at a local community studio and fell in love with clay—but quickly learned that making good pots requires a lot of hard work and vigor, hence her business name: Whim and Vigor. Marina loves to play with color, texture, and pattern, and she gets her inspiration from nature, museums, books, and conversations with creative friends. Her focus is on functional pieces because she wants her work to be loved and used often—folks who own her pieces tell her that they keep washing them to use over and over, even when there are plenty of other clean mugs or bowls in the cabinet! Marina wants her work to produce the kind of happiness that one feels when they get a hug from someone who cares about them—being enveloped in kindness, warmth, and love.

Lisa McGrath’s sculptures are the expression of the animals with whom she shares her backyard. McGrath plucks those beings and transports them into her whimsical, wonder-filled narratives..... so to with her functional work. It is just as full of wonder and evokes a story... this mug reminds you perhaps, of the night circus – or something.... Lisa McGrath completed her BFA in Ceramics from Alberta College of Art and Design in 1997. She lives and maintains her studio on the cusp of Kananaskis country with her partner and child and four furry fa