Lucy Fagella is a full time potter and ceramic instructor living in Greenfield, MA. She makes functional pottery for the home and heart. Her work graces the tables and mantles of homes around the world. Lucy earned her B.F.A. degree from Alfred University 1985. She has been in numerous ceramic exhibits throughout the US. Her work can also be found in publications on ceramics and home décor.

Richard Hensley has been a potter for 45 years and has lived and worked in Floyd, Virginia all of his working life. Richard makes porcelain ceramics and fire it all in a reduction gas car kiln. Richard and Donna Polseno, Richard's wife, teach ceramics part time at a local college and for the past few years Richard and Donna have spent their summers in Italy making terra cotta clay pieces and enjoying their friends and the life in their small village.

Brett Freund grew up in Pittsburgh, PA and received his MFA from Southern Illinois University in Edwardsville. Brett was a resident at St. Petersburg Clay and a fellowship artist at Baltimore Clayworks.  In 2012 Brett was a Ceramics Monthly emerging artist and just recently was awarded the 2015 Jerome Ceramic Artists Project Grant from Northern Clay Center.

Son of an inventor/motorcycle racer & a warrior princess/homemaker, Michael Sherrill has lived in the western North Carolina mountains since 1974.  He considers himself a materials-based artist, experimenting in metal, clay, and glass.  At the heart of his interest is the intersection of where humans and materials meet in both handmade objects and the natural world.

Old-time Radio used to be the movies of the day. Today's show is focused on an old-time radio show called The Potters of Firsk. Enjoy a bit of nostalgia and discover the power of the potter!

Mea Rhee is a working potter based in Maryland. Her work is modern and rustic, with Asian sensibilities. She launched Good Elephant Pottery as a part-time business in 2002, and grew it into a full-time business by 2010.

Tiffany Hilton is a studio potter and teacher who has been working with clay for over twenty years. After studying at State University of New York, at New Paltz she apprenticed with Kit Cornell in Exeter, NH for three years and established her own pottery in 2005. She enhances her own knowledge and passion for teaching ceramics by attending workshops herself each year and has studied with Cynthia Bringle, Karen Karnes, Makoto Yabe, Phil Rogers, Mark Shapiro, Barbara Knutson, Hayne Bayless, Deborah Schwarzkopf, Kevin Snipes and Catherine White. Tiffany's work can be seen on the dinner table of many people’s homes and at Pinch Gallery in Northampton.

Handmade pots hold meaning to Corey Johnson for the time and dedication it takes to make and design them.  It is a combination of these aspects that invite people to use pots and makes them hold value in their daily lives. These pieces may serve as vessels for daily meals or be placed in a home for decoration. Corey is fascinated in the value and purpose his work can serve in this context.  These ideas and concepts encourage Corey to enhance the pottery he makes to provide a more meaningful experience to a morning coffee break or family dinner. When using handmade pots there is a connection between the maker and the user.  Corey is interested in how his ideas and thoughts for forming and finishing his work can translate into where and how someone else may use them in their own life. 

Connee Mayerson has worked as an artist for 43 years, primarily in ceramics. Connee makes high fire, one of a kind, functional porcelain pots. Connee's work is organic and her influence is everything that surrounds her. Connee also works in stone mosaic public art, shell work, and figurative painting in water colors and egg tempura.

Amy Sanders is a mom, wife, and potter whose earthenware vessels create a balance of visual elements of form, texture and pattern with utility. She currently works as a studio artist, teaches adult handbuilding classes at Clayworks Studio, and conducts workshops across the United States.

The majority of Kim-Anh Nguyen's work is based on the process of coiling, a simple technique which has been used from the earliest times. The inspiration came from indigenous cultures’ traditional woven textile and basketry.

Underlying Kim-Anh's work is a profound respect for the historical and cultural significance of indigenous people (the Montagnards, or mountain people of Vietnam and the Aborigines of Australia). Most of the works depict aspects of the landscape, which is crucial to all indigenous peoples.

After 3 decades at his potter's wheel, Ted Secombe says that making pots is more challenging now than when he first began, as his motivation is the purely the expression of his ideas and creativity. He has now developed a mastery of the medium that allows him to take his experimentation further than ever before.

Ted likes to work with different shapes and now prefers much simpler forms, forms with the sense of an easy curve, 'like a brush stroke'. 'My inspiration comes when the clay is on the wheel and I am looking at the sensuousness of the curve,' he says. Sometimes he is influenced by the structure of plants and leaves. While the grace and size of the pots is impressive, the glazes Ted uses are rich in color, and delicate in texture and patterning.

One of the most important things one can do in today's business climate is build a strong email list. Some say this is waste of time, but that is a voice in the minority. Most experts tell us that this is by far one of the top ingredients for success. So the rule of thumb is: Build the list!

After a short stint at Chico State University, California, Sunshine Cobb went on to graduate with a BA in Studio Art from California State University at Sacramento, in 2004. Ceramics has been the major influence in Sunshine's life for 15 years now. Currently Sunshine focusing on functional ware, embracing the richness of earthenware, and is exploring the challenge of electric firing. Sunshine graduated from Utah State University with her MFA in Ceramics.

Jeremy Ogusky is a studio potter, husband, pizza lover and passionate fermenting evangelist living in Boston, Massachusetts. In Jeremy's former public health life, he engaged in HIV/AIDS prevention with the Peace Corps in Southern Africa, health education in South America, and public policy in Washington, DC. Jeremy's current studio practice draws from his global health experiences and Jeremy is truly excited and proud to craft beautiful & useful functional ceramics.

Larry Elardo is the owner of M Street Potters, a ceramic studio that is dedicated to creating one of a kind works of art with clay. Larry makes functional and sculptural ceramics. When it comes to Larry's functional ceramics he adds a bit of a twist: some is for food while some is furniture.

Guy Mitchell makes handmade stoneware tiles on the North East coast of England. Guy prefers hexagonal, triangle, and rhombus shapes to traditional squares. Guy mixes his own glazes and loves experimenting with surface and color.

Born in Gillingham Kent UK. Graduated 1990 from Royal College of Art, London. She established studios in London, exhibiting widely across the UK and Europe. In 1998 she moved to the USA. Her work is represented in several public collections including the Victoria and Albert Museum, London.

Ceramic artist Patrick Johnston knew at the age of six that ceramics would be his life. After a kindergarten project, Johnston asked his teacher if he could hold the scraps of clay. "I stood next to the tree on playground, squished the clay in my fingers, and I knew that I had found it!" Since his epiphany, Patrick Johnston has never stopped working with clay. Johnston has been written about in numerous publications, including the, " LA Times Magazine", and  has earned a degree in ceramic design from The Rhode Island School of Design. Patrick's current studio, The Temple of Mediclaytion, is in Venice, CA. 

‘Made to be used’ is perhaps the best way to describe Thomas Aitken’s work. From as early as he can remember Thomas has loved to make things that work. And throughout his training and professional life he has continued to develop functional ceramic objects for use. Starting his ceramic studies at Red Deer College, Alberta and completing a BFA:Ceramics at the Nova Scotia College of Art & Design in 1995. An interest in European ceramic traditions led him to study at the University of Wales Institute Cardiff, U.K. where in 1997 he graduated with a Masters in Ceramics. Then back to Canada to set up a studio in Toronto. Five years later he moved his home and studio to the village of Warsaw, near Peterborough, Ontario. Here he works full time developing his own work and collaborating on joint projects with his wife Kate Hyde. His work is widely sought after and is in a number of collections around the world.

Emily Schroeder Willis received her MFA from the University of Colorado, Boulder in 2006. She was awarded the Jerome Fellowship from the Northern Clay Center and the Sage Scholarship from the Archie Bray Foundation. She has been an artist-in-residence/visiting artist at the Archie Bray Foundation in Montana, the Zentrum für Keramik in Berlin, Germany and at the Alberta College of Art and Design in Canada.  In 2012, she was a presenter at Arrowmont’s Utilitarian Clay Conference.  Currently, she lives in Chicago where she is an Instructor at the School of the Art Institute of Chicago. 

Teneke van Gils' ceramic career started in the eighties in Amsterdam and continued on her husband's diary farm near to Delft. Teneka's dancepartner is porcelain on the potters wheel.  Teapots are her favorite, they brought invitations from China. Tineke's work is exhibited in The Netherlands and abroad.

Anderson Bailey is a studio potter living and working in Chattanooga, TN. Using different building techniques, Anderson creates simple forms with quiet surfaces that are meant for daily use. He recently started a collaborative line of slip-cast functional ceramics with Anderson's wife, Jessie Bean Bailey.

Born the daughter of a painter and an organic dairy farmer, Molly was raised to be creatively industrious. Using her imagination and love of drawing to make everything from her well known idiosyncratic ceramics to quirky pen-and-ink drawings. Molly’s craft is finely honed, her designs whimsically literal and pop-culturally on-point.

Working from her home studio, Molly began making her living as a full-time studio potter in 2008. Her formal education in ceramics and drawing resulted in the development of her signature style. Making contemporary ceramics inspired by history, Molly’s career as a studio potter quickly garnered a loyal following. Molly’s designs have expanded beyond tableware to a wide range of lifestyle products and Molly is actively growing collections of home goods to bring her modern yet traditional designs to the contemporary home.

Ariel fell in love with clay in 3rd grade and has continued to work with the material ever since, incorporating techniques of hand building, slip casting and throwing on the pottery wheel into her creations. Her interests range from utilitarian design to life under the sea. Ariel graduated with a BFA from the School of the Museum of Fine Arts, Boston & Tufts University in 2009.

Andrew Stephenson was born in Birmingham, England in 1972 and moved to the states with his family in 1979.  He received his Bachelor of Fine Arts Degree from East Carolina University in 1996. Shortly after graduation he moved to Asheville, NC to take a position as a resident potter at the Odyssey Center for the ceramic Arts. Andrew has always loved the folk pottery of England and especially the wood fired salt-glazed pottery of North Carolina, so when he was offered a two year apprenticeship with Matt Jones, a former apprentice of Todd Piker and Mark Hewitt, he jumped at the chance. During the apprenticeship he learned the forms and turning techniques that have been passed down from potter to potter since the days of Bernard Leach and Michael Cardew. Andrew also helped Matt fire his 300 cubic foot wood fired kiln and his smaller 100 cubic foot kiln fueling his love for wood firing.  When Andrew was finished with his apprenticeship he bought a house in rural Rutherford county, received a grant, and built his own 300 cubic foot wood kiln and holds several kiln openings a year. Andrew continues the long tradition of wood firing in North Carolina and sells his work in galleries throughout the southeast.

April Noble is a ceramic artist living in Denver, Colorado. She is currently working on her MFA through a low residency program at Fort Hays State University in Hays, Kansas. She currently teaches a pottery class at a local recreation center as well as works as a studio tech at a local community college.

Jack Welbourne is a ceramics graduate currently working in a plant pot factory in South Wales. Jack's work has focused on hand thrown functional wares but Jack is starting to explore more sculptural ideas informed by the industrial nature of his job.

Bede Clarke has been a Professor of Art at the University of Missouri since 1992.  He received his Master of Fine Arts from The University of Iowa (1990) and a BFA from Eckerd College (1982).  Bedes work is found in public and private collections in the U.S. and abroad.

Penni Stoddart has been a potter for more than 20 years and specializes in 1800's period historical pottery. Penni has done research into the history of local potteries as well as pioneer pottery in Ontario, Canada. She attends 1812 living history events and sells her pottery in merchant's row at the events and to historical sites.

A graduate of the Sheridan College and Fleming College ceramics programs, Emma Smith creates humble artwork for everyday use. Her objects encourage the gathering of peoples and the sharing of a meal, by providing delight in the ordinary and unnecessary.

Emma's work has exhibited in galleries across North America including The Gardiner Museum (Toronto, ON), The Clay Studio (Philadelphia, PA), and The Carnegie Gallery (Dundas, ON).

Specializing in gas fired glazed ware to cone 10 and one of a kind wood fired vessels, Mark Goertzen has worked as a professional potter since 1989. He started in clay at Bethel College, Kansas in the mid 1980's, and has been happily learning more about it ever since.

Dear Human is the creative studio founded by Jasna Sokolovic and Noel O’Connell in 2009. After meeting at a residency in Denmark, Jasna and Noel immediately began working on ideas together and haven’t stopped since. The studio works in various artistic domains that include public space projects, product design, and applied arts. Their collaboration is rooted in common beliefs and ideas and supported by the strengths that each bring to the table—Noel’s material expertise and attention to detail and Jasna’s improvisational sensibility and explorative nature.
Their work draws inspiration from working in new environments, experimenting with materials and collaborating with other designers, architects, and artists Dear Human projects offer an alternative perception to overlooked everyday landscapes by revealing the hidden potential of places and objects, hoping to inspire consciousness and curiosity.

Pepijn van den Nieuwendijk studied Graphic and Typographic design at the Royal Academy of Fine Arts in The Hague, The Netherlands (Koninklijke Academie van Beeldende Kunsten, Den Haag).

After graduation Pepijn focused more on illustrating and painting. This was the beginning of Cirque dextraordinaire or what later became his alias and studio name Cirque de Pepin.

Pepijns circus, as a metaphor for a place where anything can happen.

Around 2002 Pepijn came into contact with ceramics. A world of possibilities revealed itself. Nowadays Pepijn works explicitly in these various disciplines. With an emphasis on craftsmanship and detail.

Van den Nieuwendijk has exhibited his intricate ceramic sculptures and paintings in solo exhibitions in The Netherlands and abroad, most recently 'The Greatest Show on Earth' at the Koornmarktspoort, city Museum Kampen (2014) He has participated in many group shows in The Netherlands and abroad. Recently Pepijn co-curated and designed the travelling exhibition The Blue Revolution, 400 years exchange Delft-Jingdezhen with ceramic artists from both The Netherlands and China.

Public commissions include a bas-relief for the Feijenoord Soccer Club (2009) in Rotterdam, and a monument in honor of the Dutch comic author Maarten Toonder Rotterdam (2002). Van den Nieuwendijks work is in the collection of Museum Prinsenhof Delft and in many private collections. Van den Nieuwendijk is represented by Gallery Nasty Alice, Eindhoven, Kochxbos gallery, Amsterdam and Mothership (art agency), Rotterdam

Debra Sloan did a self-directed apprenticeship  from 1973-79. Later she attended Vancouver Art School 1979-82. Debra has taught, adjudicated, and presented at many symposiums, most recently in Romania.  Now she serves on arts Boards, is represented in 6 LARK publications, she exhibits nationally, internationally, attended 3 international residencies, and most recently at the Leach Pottery, UK. Debra works mainly as a figurative artist, but started as a potter.

Jennica Kruse is a ceramic artist living in Minneapolis, Minnesota. She received her BFA from the University of Minnesota and graduated Summa cum Laude in 2011. She also studied ceramics in Cortona, Italy in 2010. She is a Resident Artist at the Northern Clay Center where she teaches and works as the Materials Technician.

Born and raised in Illinois, Ryan Archibald received his BFA from Southern Illinois University in 2013 and continued his ceramic education in Minnesota as the Northern Clay Center Anonymous Potter Studio Fellow.   Ryan now resides in Minneapolis where he maintains a studio, teaches beginner wheel-throwing classes, and works for a production pottery.

As a commercial artist, Kathy Pallie worked with many different materials creating 3-dimensional objects.  When Kathy retired, she put her hands into clay and has been exploring this exciting, tactile medium ever since.  

Kathy's artwork is inspired by Nature, by the unlimited variety of textures, patterns and energy she finds in her natural surroundings.

Ginny Sims is interested in objects and the surrounding sensations in a home that trigger memory and emotion. Exploring homes and observing family patterns has been a fascination of Ginny since childhood. She finds a lot of inspiration for the work that she makes in the relationships between objects and their owners, and the somewhat overlooked power of the presence of certain objects and how they made their way into our lives.  Ginny creates objects that echo a sense of history and thoughtfulness, but also that of loss and abandonment.

John Shirley works in bone-china. Most of John's work is decorated with soluble salts which have a tendency to permeate the surface of the work adding subtle watercolor effects and creating an ethereal quality. John is a fellow of Ceramics Southern Africa and a member of the International Academy of Ceramics.

Tony Clennell- 2nd generation potter, educator and author of "Stuck in the Mud". Workshop presenter in Japan, Italy, USA, Canada, Wales, Korea and China.

Brett Binford and Chris Lyon met while working in a studio in Colorado. They stayed friends over the years and eventually started a major production studio called MudShark Studio. Their company makes ceramics for large companies and individual artists. MudShark Studio is located in Portland Oregon.

David Schlapobersky and Felicity Potter, - studio potters in high temperature, reduction fired stoneware and porcelain - a working partnership since 1973.

They live and work in Swellendam, a small rural town in the Western Cape Province of South Africa where they have the heritage house "Bukkenburg".

Their work is mostly wheel thrown with some slab work and is hand made using their own blends and mixes of clay, glazes, slips and oxides.

Their output is diverse and prolific, producing a range of work from tableware and decorative pieces to pots of monumental size, garden and indoor containers, decorative urns, washbasins, water features and wine jars etc..

A Thai born, Melbourne-based artist, curator and arts activist, Vipoo Srivilasa works predominantly in ceramics, exploring culture shifts and migration experiences. His work is a playful blend of historical Figurative and Decorative art practices with a healthy dose of Contemporary Culture.

Using blue and white colour, he creates complex narratives through highly decorated images applied to the surfaces of ceramic forms. His work requires an intimacy in which the key elements of the drama are often found in unusual places within the forms themselves.

Vipoo has exhibited internationally and loves creating opportunities for artists to collaborate through community based art projects. His work is held in various public art collections including The National Gallery of Australia.

Gerry Wedd was born at McLaren Vale, South Australia, in 1957. He pots and surfs in Port Eliott, South Australia. He completed an MVA (ceramics) in 2009. In 1998 he won the Sidney Myer Fund International Ceramics Award and in 2009 his work was in the Havana Bienal.

Hadrian Mendoza is a Filipino potter based in Virginia, USA. Hadrian has exhibited his works internationally and are in collections throughout the world.  Since 2009, Hadrian has started a network of contemporary Southeast Asian ceramic artists.

Nia Gautama is  a ceramic artist who resides in Bandung, West Java, Indonesia, and currently pursuing her MFA degree in Visual Art at Bandung Institute of Technology. Since early 2000, she has actively exhibited both at home and abroad.

Robbie Lobell lives and works on Whidbey Island in Northwest Washington. Lobell is the co-founder, designer, and maker of Cook on Clays high-fire flameproof cooking pots. Cook on Clay, committed to sustainable local economies and food systems, collaborates with farmers, chefs, home cooks, and restaurants across the country. Lobell's pots reside in kitchens and on tables across North America and beyond. Her work is featured in magazines and books about utilitarian pottery, cooking vessels, and making pots.

James finds it essential to tell stories through his art. As an art director, he uses ceramics as a canvas by incorporating illustrations into his work. He has a flair for theatrics and adopts a whimsical style that is sometimes satirical, which he hopes will tickle emotions and generate conversations.

In today's art market, artists have to be more than just makers. Artists are marketers, sales people, web designers, and so much more. THINK BIG! is a six week series of interviews with successful ceramic artists, art agents, dream clients and book editors. The series is designed to help you build the skills you need to expand your creative business, learn some tricks of the trade, and think beyond the traditional methods of reaching your market. Click here to register today, or give the e-course as a unique gift for your creative loved ones.

John George Larson is a painter and wood fire ceramic artist from southwest Minnesota. He discovered clay at age fourteen as a means of expression and as an alternative way of exploring fundamental physics. He has studied at Utah State University and under contemporary ceramist Oh Hyang Jong in South Korea.  John fires an Anagama kiln and maintains his studio in Milan Minnesota. He uses Porcelain and Native clays with other indigenous materials to create his works which can be found in national and international collections.

Re Jin (RJ) Lee's company, Bailey Doesn't Bark is a Brooklyn based design studio offering functional ceramics made by hand by RJ since 2008.

RJ was born and raised in Sao Paulo, Brazil to South Korean parents. This combination of cultures has had a great influence in RJ's design aesthetics.

After receiving a BA in Fashion Design and design certificates from Central Saint Martins, London College of Design and Istituto Europeu di Design, RJ moved to Los Angeles, CA to pursue her career in fashion design and styling.

Through fashion and a move to New York city RJ discovered her passion for home and product design. Like RJ's Brazilian and Korean heritage, fashion has had a major influence in her design aesthetics and also the way she creates and presents her collections.

To Nicholas Bernard, form is everything. Nick stretches clay to make canvases for decoration. Texture, pattern and color are successful additions when the shapes are impeccable. My inspirations are many, from the classic forms of antiquity to the simple, graceful pots made by indigenous peoples and the work of modern studio potters. Nick's current body of work deals mostly with simple clean form. Handles and other flourishes are being added again after a four year hiatus. Dramatic color and subtle texture accentuate what Nick hopes is a mastery of the traditional vessel form.

Nick makes earthenware, with layers of textured slip, colored slips and oxides. Multiple gas or electric firings in oxidation to cone 03 or approximately 2000F.

Isaac Patmore has his arts practice split across many facets of creative production. A full time arts worker, working At Monte Lupo as a manager in the creative arts. Aiding people with disabilities to design, decorate and create ceramics for sales and exhibitions.
Isaac's personal arts practice is split across the work he makes to fire in wood kilns and work for the electric kiln. These two different finishes of the work still show the hand of the maker and comfortably sit together as a complete body of work.

Paul Blais brings us through the process to building an overall plan to market pottery.

Alice Ballard maintains a studio in Greenville, SC where she teaches part-time at Christ Church Episcopal Middle School.  She also taught at the SC Gov. School for the arts for 10 years, along with workshops at Penland, Arrowmont, Odyssey and for the American Crafts Council Southeast. Collections include the Renwick Gallery (DC), Mint Museum (NC), Resen Cermic Collection (Macedonia), state art collection in TN and SC. She received a Fulbright to study in India and an SCArtsCom Individual Fellowship Grant.  Represented by Blue Spiral 1 (NC), Hodges Taylor (NC) The Tao Evolution (Hong Kong)

Kip O’Krongly earned a BA from Carleton College in 2001 and continued her ceramics education in studios across the country before returning to Minnesota as the Northern Clay Center Fogelberg Fellow, Materials Technician, and then Anonymous Potter Studio Fellow.  Kip has been featured as a Ceramics Monthly Emerging Artist, on the cover of Pottery Making Illustrated, and was the Best in Show winner of Strictly Functional Exhibition in 2011.  She exhibits work and teaches workshops across the country, is included in a number of ceramic publications and was awarded a $25,000 McKnight Artist Grant in 2014.  O’Krongly currently maintains a studio in Northfield, Minnesota.

Mary Lou Zeek is a graduate from Western Oregon University and was a studio artist for 28 years as a ceramic artist. Mary knew the skill and passion artists pour into their work. Mary has supported the arts through her work on the Oregon Artists Series Foundation and the Salem Public Art Commission. But mostly Mary has supported the arts through the Mary Lou Zeek Gallery.

When Mary first opened the Mary Lou Zeek Gallery in 2001, her vision was to honor artists and their creations, and to push the limits of what a small gallery could do. Even though Mary's gallery only had 700 square feet of space, she specialized in shows and events that went way beyond the gallery doors. She partnered with small non-profits, other retailers and large organizations to stage some amazing collaborative art shows and events. Mary's gallery received a number of local, state and national awards.

Kajsa Leijström lives in the most southern part of Sweden, which is a popular tourist destination. Kajsa has been running her own pottery studio since 1999 and most of her production is wheel-thrown functional ceramics. About three years ago, Kajsa made a major change in her work and started to make high fired stoneware.

Ann Rea abandoned art for over a decade. When she returned to art Ann wowed the artist world in 2004 with vivid landscapes of the vineyards of California. In less than a year of starting her art business Ann was profitable. Since then Ann has added to her business of amazing canvas works prints, postcards, public speaking, and artist coaching. Ann is voice worthy of our ears.

Robert Chamberlin is a conceptual artist living and working in Boston, Massachusetts where he recently received his MFA from Tufts University and The School of the Museum of Fine Art. Working across media (photography, performance, ceramics etc.) to express ideas and promote conversation. Robert is often at the focus of his work. Tackling projects that channel a contemporary socio-political issues like surveillance, sexuality, and domesticity through a personal lens. 

Chris Taylor works as a ceramicist in Devon, the South West of England. His current work, the ornamental vase series, consists of thrown vases decorated using a variety of techniques that are reminiscent of historical vessels.

He currently lectures at Plymouth College of Art.

Sue Tirrell is a ceramic artist living and working in Paradise Valley, Montana.  She holds a BFA from Alfred University and spent many years teaching ceramics in school, museum and community settings before becoming a full-time studio artist in 2008.

Bruce Gholson and Samantha Henneke, are studio potters who live and work in central North Carolina, in a celebrated and unique community known as the Seagrove Potters.  This husband and wife team own and operate Bulldog Pottery, one of the more than 60 ‘open to the public’ potteries, nestled in the scenic countryside surrounding the town of Seagrove.  Bruce and Samantha work primarily with porcelains and white stonewares, with an intense interest in glaze experimentation and surface developments. Their studio is a collaborative environment providing each other support to express their independent voices. They make their functional and decorative pottery into an art to be used for everyday living. 

Sharon Alpren is a British girl now living in Melbourne, Australia. Sharon's background is in textiles and used to be a fashion buyer.  She took up ceramics when she moved from London to outback Australia and (not suprisingly!) found no work in fashion in her new hometown. Instead Sharon discovered clay and quickly became addicted to the process of ceramics. Sharon has never looked back!

The work of Bianka Groves is thoughtfully functional and has the ability to complete the elegance of any interior space. Groves received her BFA in 2012 from Corcoran College of Art in DC. She taught at Baltimore Clayworks and recently moved to Minneapolis where she now teaches at Northern Clay Center and makes work out of her home studio.

Godeleine de Rosamel is a french ceramicist and illustrator. After working for 10 years in Paris, Godeleine moved to Los Angeles 14 years ago. She studied art at l'Ecole de Recherche Graphique ( ERG ) in Brussels Belgium.

Godeleine has illustrated a number of books before deciding to make ceramics - which she had always practiced on the side since childhood - a major part of her work. Since then,  Godeleine feels that she has really found  an inspiration that is really hers.

Brandi Jessup is a writer, a traveler, a maker, and most recently the new owner and director of Taos Clay Studio in Taos, NM. She received her BFA in 2012 from Alfred University, and is currently learning to reconcile her art practice with her new role as first time business owner.

Maria Dondero makes pots and teaches in Athens, GA with her husband and twin boys.  She received her MFA from the University of Georgia in 2008 and has worked as a studio potter and adjunct teacher ever since.  She makes functional pots whose aesthetics draw on the age old and worldwide history of ceramics.  While subtly referencing pottery traditions from around the world, Maria intuitively sketches images from her surroundings, grounding her work in the Georgia soil.  Her work is shown and carried in galleries though out the country.

Sarah Blackwell is an artist living and working in Brooklyn, NY.  She holds a degree in drawing and printmaking from Hampshire College and is proud to be a founding member of the artistic amoeba, The Royal Frog Ballet.  Sarah started working with clay in 2011, first as a student at The Greenwich House Pottery and then as a studio assistant at Clay Space 1205 in Greenpoint, Brooklyn.  She currently works out of her studio in Clay Space and sells work through her website:

Kate Maury received a Bachelor of Fine Arts from Kansas City Art Institute and a Master of Fine Art from the New York State College of Ceramics at Alfred University. Currently she resides in St. Paul, Minnesota where she is a studio resident at the Northern Clay Center and teaches full-time as a Professor in the School of Art and Design at the University of Wisconsin-Stout. Her work is featured in both juried and invitational shows at regional, national and international venues. In addition Maury’s work is published in contemporary ceramic art books such as Making Marks: Discovering the Ceramic Surface by Robin Hopper, 500 Bowls, Lark Books, The Art of Contemporary American Pottery by Kevin Hluch, and High-Fire Glazes by Lark Books. She has taken part in two residencies at the Archie Bray Foundation, three residencies at the Sanbao Ceramic Art Institute in Jingdezhen, China and most recently completed two residencies at the International Ceramics Studio in Kecskemet, Hungary. 

Born in Fredericton, New Brunswick in 1959, Mary Fox moved with her family to British Columbia in 1966. Mary is self-taught and has worked solely as a potter since 1979. Mary's works are exhibited nationally and internationally, and she especially enjoys the time that she spends with customers from around the world who visit Mary's studio in Ladysmith, on Vancouver Island.

Holly McKeen is known for her Crystalline glazed porcelain and functional ware. Selling from her own Gallery in Chilliwack BC Canada since 2005, Holly approached her Pottery business with an entrepreneurial attitude as well as an eye for the art. She’s shown that taking the leap to Pottery as a full time job can pay off.

Laura B. Cooper is a potter working around Athens, Georgia. In addition to her own work as Laura B. Cooper ceramics, she also operates a pottery studio and gallery in Bishop, Georgia with six other artists. Their group is called Long Road Studios, and is comprised of seven independent ceramic artists working together to accomplish more as a group than they ever could individually.

Jeremy Nichols grew up making and flying model aircraft leading to degree in Aeronautical Engineering(1971). Jeremy changed direction to a career in Social Work while he started making pots for relaxation. Eventually Jeremy caught the ‘bug’ and earned a degree in ceramics, focussing on saltglaze.  He graduated 1997 in and established a workshop on an ex-farm north of London, England. His work is strongly influenced by the early aviation interests.

Jenni Ward is a ceramic sculptor, art instructor and owner at Earth Art Studio. She is passionate about working with clay to build abstract forms and installations that reflect the beauty of the natural world. A natural teacher and philanthropist, she shares her creativity with students at her home studio and abroad.

Linda Bloomfield trained as a materials scientist but always dreamed of becoming a potter. She works from her studio in west London where she has designed and made porcelain tableware ranges for Liberty, Harrods and ABC Home. She throws on the wheel in porcelain and makes beautiful translucent glazes, which she puts on the inside of forms.

Patick Noe graduated in 1980 with an art major from the College of Charleston in Charleston SC. Patrick's emphasis was on painting, but he also took sculpture and printmaking. After college Patrick worked in clay for 20 years but wanted to get back into painting without having to give up clay. He started to experiment with using woodcuts to create relief in clay slabs and then painting and firing them in his kiln. This technique grew more refined and complicated and into the unique art form that Patrick produces today.

Robert Briggs has been a potter in Springfield Missouri for around 20 years.  Robert has been a semi full-time potter sinse around 2006. Robert and his wife, Ruth participate in most of their local art fairs and have several pieces in local galleries. They produce crystalline porcelain and raku artware.

Mark Strayer loves making objects and creating pots as become his passion. As an Industrial Designer who works with materials like wood, plastic, steel and glass on a daily basis, Mark really enters a different place when his hands touch clay.  To Mark there is something amazing about clay coming from the earth, a natural, fluid and organic material that truly becomes alive as it moves through his fingers.  Mark's focus is on quality, function, and lately a more rustic aesthetic to his pieces. Mark desires that his pots will impact and enhance people’s lives and they will also in some small way help keep the art and craft of handmade important in our everyday lives.

Sue Adler’s pottery reflects the many influences from the layers of her life.  Her equestrian passion resonates in the one of a kind horse hair fired pieces she creates.   A love of all things botanical is expressed in her hand built and wheel thrown ware.

Sue, a native long Islander attended Farmingdale State University where she earned a degree in Ornamental Horticulture.   She studied at Maple Leaf Pottery in Sea Cliff N.Y.  and is a member of Potters Council and the Long Island Craft Guild.

Courtenay Singer is an award-winning producer, director, and writer of non-fiction films and television programs. She has worked on shows for PBS, National Geographic, TLC, Animal Planet, and many other networks, and has contributed to several independent films.  In 2012, she co-produced the ABC-7 documentary "Imagine: A Celebration of Children's Hospital Los Angeles," which won an LA Area Emmy Award.  "Out of the Fire" is her first feature film.

Brenda Holzke have had a lifelong passion for anything artistic and creative. In 1985 Brenda graduated from The Art Center College of Design with a BFA. She went on to work in advertising as an art director for the following 6 years. Frustrated with the corporate structure, Breanda left advertising to create functional ceramic wares. Along with her husband they owned and operated a ceramic factory in California employing 21 artisans to hand paint and sculpt her designs. Brenda is now a licensed designer for major corporate stores across the country. In 2008 Brendaactively began creating fine art, one of a kind works, in both clay and mixed media wall art.

Alex Apland is a potter from southern Oregon. Alex uses her pottery not only to supplement her income, but to support a local food pantry

After spending several years as a fashion and print designer, Judi Tavill found clay about 12 years ago. She works intuitively, investigating and exploring while working on a form. Initially creating unique functional pieces, Judi has veered off toward sculpture and is currently integrating melted glass into much of the work.

Kathy Catlin calls herself a Part Time Potter With A Full Time Passion! Located in rural upstate New York, you can find Kathy in her barn studio most weekend and vacations from her full time job as a High School Social Worker. Kathy creates functional stoneware pottery made on the wheel, which she claims is the key to her sanity!

Gillian Mcmillan grew up in rural England, attended teacher training college in London, taught there for some years and then emigrated to Canada. After a year's teaching in Montreal she headed west, to Vancouver. She married Alan, an archeologist, they bought the 1914 house where they still live in Port Moody and had two sons. Meanwhile Gillian was taking pottery classes, teaching pottery and selling her work at craft fairs. At age 48, she was accepted at Emily Carr College of Art & Design and earned her BFA in Ceramics. Now, twenty years after graduating she has become known for the colourful jugbirds she sells at galleries on Granville Island and at Vancouver Airport.

Louise Gelderblom is a self taught ceramicist with a background in design and photography. Louise lives in Cape Town, South Africa and has a teaching and production studio where she makes large hand built sculptural vessels. Louise is very much part of the low tech designer/maker tradition that makes work from her part of the world so distinctive.

Leah Goren is an illustrator and surface pattern designer living in Brooklyn, NY. She graduated in 2012 from Parsons School of Design with a BFA in Illustration. For the past 3 years she has been working on translating her illustration style into hand-built ceramics.

Ann Van Hoey was born in 1956 in Belgium, where she lives and works. Many times awarded in international competitions, her work is exhibited in major galleries and her pieces are in the collections of international museums. Her works, of great simplicity and elegance, are extremely impressive in their perfection, their fragility and their featherweight appearance.

Joe has been a full time Ceramics Teacher in Tertiary Education in Australia and a practising potter for over 30 years. During this time he has shown in numerous exhibitions and his ceramics work is represented in private and public collections in Australia. Last year he set up a private Pottery School in Brisbane called Oxide Clay Art.

Susan Simonini is an Australian artist currently working in the medium of clay. Susan has a background in painting and printmaking, with a degree in Fine Art. She uses varied techniques to create a range of both functional and decorative ceramics. When not in her studio you can find Susan down the beach riding her skateboard!

John Neely talks clay from both the perspective of an educator and an entrepreneur. 

Julia Paul talks about branding, hiring employees, and how to move your prices from average to premium.

Gina Feddersen tells of her love of nature and its inspiration for her creative life.

Kim Murton hangs out with me and talks clay, business, inspiration, and family.

Adam Field talks about his journey with clay and his love of design on his pieces.

Chris Snedden's story of how many pivots he made through out his career is a great testimonial as to the value of flexibility.

Ben Carter, host of Tales of a Red Clay Rambler, explains how he sees his body of work through his podcast as a record for generations to come.