Life was very different for Sally before she discovered clay. She lived a slow and simple life on a beach in a remote Indonesian village where the rhythm of the tides punctuates the day. A camera was her artistic choice, working as a lifestyle and food photographer throughout Australia and Bali. She began her ceramics study in Japan, and was then awarded an internship at Gaya Ceramics Art Centre in Bali. Clay became her focus, and she returned to Australia at the end of 2017 to set up a studio in her hometown of Busselton.

Kiefer Floreal is a 23 year old potter who was born in Kenora, Ontario. Kiefer's work is inspired by the traditional Japanese art form, Gyotaku. After experimenting, Kiefer found a method that left detailed fish prints displayed on his pots. Kiefer prides himself on printing fish that he catches locally and legally.

For over twenty years Sophie Moran has set up studios in sheds, shops, potteries, and warehouses around the northern suburbs of Melbourne and is currently based in a collective, creative space in Brunswick. Sophie calls myself an urban potter as there is usually concrete beneath her feet and her clay comes in a bag. Sophie explores notions of nurture, individuality, and community in what she makes, while maintaining that primary functional purpose.

Craig Underhill’s slab-built vessels are essentially three-dimensional canvasses for his richly abstract painting and marking. Craig's work demonstrates his resourceful interpretations of landscape, space, and texture of our changing environment. Born in Scotland, Craig studied ceramics at Harrow College, and then at Portsmouth Polytechnic. After a long period of teaching part time in further education Craig has now relocated his studio to Cornwall.

Nick LaPointe has been making pottery for a handful of years and focuses mostly on functional ware. Nick enjoys the texture created from carving into clay and experimenting with combining glazes.

Amy James is from Minnesota but currently lives in Oklahoma. Amy has been artistic her entire life and started doing pottery in 2013. A year later Amy joined the Air Force. She loves traveling and the outdoors and has been fortunate enough to travel the world and live in different parts of the country while in the military. All this travel and working in the Air Force has also helped to fund Amy's ceramic equipment and college.

Anna Moszczenska fell in love with clay when she took a pottery course a few years ago. From then on Anna loved working with clay. For her working with clay is like an unintentional process, and Anna has learned to accept it as an instinctive method. Ann is drawn to abstraction as a way to uncover and express her feelings and emotions. Anna expresses herself by creating different forms and shapes using a different clay body and applying colourful slips. Anna is inspired by abstract and surrealistic paintings. She works primarily by making coiled vessels and slab work.

Asa Maestas found clay in high school in Santa Cruz, CA.  Daisy Maestas found clay in a small college in Michigan and it forever changed the trajectory of their lives.  Asa and Daisy met  while pursuing their passion for clay in Phoenix, AZ.  Now, they collaborate in clay and life as the King and the Flower.  They focus on creating intricately hand carved functional ware as well as miniature pottery.  Married in 2016, Asa and Daisy seek to enhance their skills with clay, share their love for the art and reach people with the Gospel of Jesus Christ.

Liz Cohen first experienced working with clay while getting her undergraduate degree in Studio Art from Georgia State University. Liz moved to Denver, CO after school and has been slowly growing a small batch ceramics business outside of other full-time jobs. Liz currently works out of her home studio making functional ware with decoration inspired by mid-century modern design.

Hana Karim grew up between painting studios and pottery wheels in the Western part of Slovenia where her parents encouraged her to see that ceramics could be a business, a passion, and a form of artistic expression. This sense of progression felt natural, as Karim uses jewellery-making techniques as a way of giving definition to the bowls, cups, and plates of her homeware line. Karim’s sensitivity to her creative process has taught her to work organically and in line with her feelings, rather than forcing herself to create something that she will come to dislike. Karim’s evasion of structured routine urges perpetual curiosity and exploration - in both her ceramics and in her personal life."